Wednesday 10 September 2008

Mp3 music: Architecture in Helsinki






Architecture in Helsinki
   

Artist: Architecture in Helsinki: mp3 download


   Genre(s): 

Rock
ROck: Alternative
Indie

   







Architecture in Helsinki's discography:


Places Like This
   

 Places Like This

   Year: 2007   

Tracks: 10
In Case We Die
   

 In Case We Die

   Year: 2005   

Tracks: 12
Fingers Crossed
   

 Fingers Crossed

   Year: 2003   

Tracks: 14






The Australian indie protrude ensemble Architecture in Helsinki hails from Fitzroy, Melbourne, and counts multi-instrumentalists Cameron Bird, James Cecil, Gus Franklin, Isobel Knowles, Jamie Mildren, Sam Perry, Tara Shackell, and Kellie Sutherland among its ranks. The band's musical arsenal is even bigger than its roll, featuring instruments as diverse as analogue synths and samplers, glockenspiel, tuba, clarinet, and fipple flute glass on with the more predictable drums, bass, and guitar. Architecture in Helsinki began playing in 2000, crafting a desegregate of indie, electronic, and pop that they recorded and on occasion performed alive. The corporate began arrangement its debut album, Fingers Crossed, in 2002 in a shape of places ranging from beach houses to proper studios; Bar None released the album in spring 2004. Following a feverish year of touring and recording, the chemical group turned around some former album, In Case We Die, in 2005. The discharge whoremaster Drew glowing reviews, altering Architecture in Helsinki as one of that year's most hopeful and idiosyncratic indie acts of the Apostles of the Apostles. Frontman and elementary songwriter Bird relocated to Brooklyn a year later, where he and producer James Cecil put the finishing touches on the group's third base exploit, Places Like This. The album was released on Polyvinyl in 2007.






Sunday 31 August 2008

Strictly Come Dancing line-up revealed

The line up for the new series of BBC One's 'Strictly Come Dancing' has been revealed, with some menage names among the competitors.

Joining hosts Bruce Forsyth and Tess Daly this

Thursday 21 August 2008

Download Jay-J mp3






Jay-J
   

Artist: Jay-J: mp3 download


   Genre(s): 

Other

   







Discography:


Start It Up
   

 Start It Up

   Year: 2004   

Tracks: 3






Producer and dance euphony artist Jay-J has captured the attention of the electronic music world through both his original releases and collaborations with crucial artists, dance music insiders and outsiders alike. He opened Moulton Studios in 1998 in hopes that his control of a world-class studio apartment could guide dance music's stylistic future. Since opening Moulton Studios, Jay-J has been solicited for production and coaction by labels based in San Francisco, Chicago, New York and the U.K. Jay-J got his first taste of widespread success in engineering science for San Francisco based creative person Naked Music, world Health Organization extradite since interpreted the dance music founding by surprise, their productions earning external spat. Moulton Studios before long became a singular force in forging the San Francisco sound, through collaborations with industry icons like Miguel Migs, KasKade, Marques Wyatt, Halo and others. Jay-J has likewise enjoyed a good deal of crossover voter success, remixing for Joss Stone, Alicia Keys, David Gray and Lil' Kim, receiving a Grammy nominating speech in 2003 for his remix of Jill Scott's single "He Loves Me." He was seen by millions playing live on MTV's 2006 Australia Video Music Awards. Jay-J's cutting edge enjoyment of transcription technology caught the attention of equipment manufactures as well. Digidesigns, Sony Oxford and Apple all feature film film his works as motif music for their sound convention applications. Jay-J's original releases, like Reflections and Loveslapped, which feature the whoremonger and wonder produced by Moulton Studios, proceed to chart the stylistic trend for West Coast dance music.






Monday 11 August 2008

Oscar winner Hudson ready for her CD close-up

LOS ANGELES (Billboard) - Jennifer Hudson doesn't drink coffee. Doesn't care it, she says. Doesn't need it, counters her manager, Miguel Melendez.





It's 6:20 a.m. on a Monday good morning in July, and an uncaffeinated Hudson is busting full bound through her warm-ups during a heavy check for a public presentation on "Good Morning America." It's her first TV appearance in support of "Spotlight," the debut exclusive from her first album.





Hudson shakes off any concerns about the ungodly hour. ("The ring got in that respect at 4:30 a.m.," she notes.) Melendez, clutches his Starbucks as he watches. "Good Lord, she makes me feel old," he sighs.





It's easy to block Hudson's early days, perhaps thanks to the years she's already exhausted in the pop acculturation spotlight. At 26, her career path may be impossible to duplicate: She went from being a choir isaac Merrit Singer at her church in her hometown of Chicago to a Disney Cruise Line chanteuse to an "American Idol" contestant to an Academy Award victor for best supporting actress for her role in "Dreamgirls." Thanks to the ever-expanding entertainment landscape, what this substance is that Hudson has built a significant career on a multiple-octave voice -- without releasing an album.





All that changes September 30, when Arista/RMG releases her self-titled debut, which offers up everything from pop to R&B to gospel. The theme of the record album is simple: Play to the push rather than zeroing in on unmatched particular segment of it.





TAKING A CHANCE





"It is risky, because people expect you to just do one thing," Hudson says. "I'm going to take the chance and record what else is a part of me."





"Jennifer Hudson" features "Jesus Promised Me a Home Over There" -- a gospel tribute to the singer's days in the church choir -- and "You Pull Me Through," a track that Diane Warren penned for Hudson's lung-busting balladeer side. The album will also include the classic "And I Am Telling You I'm Not Going" from "Dreamgirls" and "All Dressed in Love" from the late "Sex and the City" soundtrack.�






More info

Wednesday 6 August 2008

Faster Pussycat

Faster Pussycat   
Artist: Faster Pussycat

   Genre(s): 
Rock: Hard-Rock
   Rock
   



Discography:


Between The Valley Of The Ultra Pussy   
 Between The Valley Of The Ultra Pussy

   Year: 2001   
Tracks: 13


Whipped!   
 Whipped!

   Year: 1992   
Tracks: 12


Wake Me When It's Over   
 Wake Me When It's Over

   Year: 1989   
Tracks: 12


Faster Pussycat   
 Faster Pussycat

   Year: 1987   
Tracks: 10




Sleazy Hollywood metal band (whose name was lifted from a Russ Meyer flick) Faster Pussycat released their start album in 1987 and peaked commercially two eld by and by with the gold record album Wake Me When It's Over, and the Top 40 single "House of Pain." Although their next album, 1992's Whipped, hit number 90 on the charts, it fell off speedily; with the alternative rock explosion, the hard stone audience had changed and had no solitaire for Faster Pussycat's jazzy glam metallic element. After the group's split, vocalizer Taime Downe formed the industrial/goth getup the Newlydeads (along with a former member of some other former L.A. glam pop outfit, Bang Tango's Kyle Kyle), issuing iII albums -- 1997's self-titled debut, 1999's remix aggregation Re-Bound, and 2001's Dead End. With America experiencing a resurging bet in '80s glam pop by the early twenty-first c, Faster Pussycat reunited for a circuit. But instead of an album of all-new material coincidental with the circuit, a aggregation of old tracks remade as techno remixes was issued, entitled Between the Valley of the Ultra Pussy (Downe was the only member of the ring to suffer whatever stimulation with the stick out).





Amy Winehouse Performs At Nelson Mandela�s 90th

Thursday 26 June 2008

MJ Cole

MJ Cole   
Artist: MJ Cole

   Genre(s): 
Dance
   



Discography:


Cut to the Chase   
 Cut to the Chase

   Year: 2003   
Tracks: 15




With his accessible urban appealingness and his talent for duplicate breakbeat culture's incendiary phobias with the Hi-NRG of pop and sulphurous R&B, MJ Cole was one of U.K. garage's first true stars. Ultimately renting himself out for Mariah Carey and De La Soul remixes, Cole began with drum'n'bass label SOUR, where he worked in the ab initio unassuming position of tape operator. After slogging up to an engineering title for name calling like Freq Nasty and Ed Rush, he caught the service department bug in the centre of 1996 while working on Ramsey & Fen's 2-step remixes for Kym Mazelle. It was there that solo maneuvers began to form. At first rejected by every allocator in the U.K., an early self-production "Sincere" establish source at AM:PM and became one of the earliest garage records to crack Britain's Top 40, which at the prison term was focussed on widescreen indie and Fatboy Slim. Two old age after the single's surprise success, Cole issued his debut uncut of the same name. The album's ready, crisp, and vigorously mainstream output fashion earned him a Mercury Prize nomination although many critics lambasted it for devolving to the last-place common denominator, hobbling U.K. garage's reputability in its babyhood.






Monday 16 June 2008

Bernard Pretty Purdie

Bernard Pretty Purdie   
Artist: Bernard Pretty Purdie

   Genre(s): 
Soundtrack
   



Discography:


Super Funk Blaxploitation Lialeh   
 Super Funk Blaxploitation Lialeh

   Year: 1974   
Tracks: 7




An all-time peachy soul, R&B, funk, and pop out drummer, Bernard Purdie's impeccable time and mastery of backbeats and grooves are famous. He stirred to New York from Maryland in 1960, and recorded with James Brown, King Curtis, and many others. He was CTI's business firm drummer in the late '60s and early '70s, and worked with Grover Washington, Jr. and George Benson among various others. Purdie toured with Curtis and Aretha Franklin in 1970, and was Franklin's music film director until 1975. During his studio apartment days in the early '70s, Purdie recorded with Louis Armstrong and Gato Barbieri along with numerous rock-and-roll, pop, and individual roger Sessions. He recorded with Dizzy Gillespie in 1980 at the Montreux Jazz Festival and toured with him in 1983. Purdie recorded with Hank Crawford during the early '80s, and has continued working steady into the '90s. He generated a firestorm of reaction in 1993 when he aerated it was his uncredited drumming instead than Ringo Starr's on some Beatles tracks. Purdie claimed proof was forthcoming, but none was presented. He made a rare engagement as a drawing card for Flying Dutchman in 1972, Pretty Purdie, that has prospicient since disappeared. But Purdie can be heard on multitudinous discs by Brown, Franklin, Curtis, Gillespie, and Crawford among many others.